{"id":5179,"date":"2020-08-17T16:54:09","date_gmt":"2020-08-17T13:54:09","guid":{"rendered":"https:\/\/by-tv.co.uk\/?p=5179"},"modified":"2020-08-17T17:40:16","modified_gmt":"2020-08-17T14:40:16","slug":"setenay-alpsoyun-gayrettepe-son-durak-adli-calismasi","status":"publish","type":"post","link":"https:\/\/by-tv.co.uk\/en\/setenay-alpsoyun-gayrettepe-son-durak-adli-calismasi\/","title":{"rendered":"Setenay Alpsoy\u2018un\u00a0\u201cGayrettepe Son Durak\u201d\u00a0adl\u0131 \u00e7al\u0131\u015fmas\u0131, \u0130ngiltere’nin \u201cThe Trinity Buoy Wharf Drawing Prize” se\u00e7kisinde"},"content":{"rendered":"

Setenay Alpsoy<\/strong>\u2018un\u00a0\u201cGayrettepe Son Durak\u201d<\/strong>\u00a0adl\u0131 \u00e7al\u0131\u015fmas\u0131, \u0130ngiltere’nin sanat alan\u0131nda prestijli \u00f6d\u00fcllerinden biri olan \u201cThe Trinity Buoy Wharf Drawing Prize”<\/strong><\/a>\u0131n bu y\u0131lki se\u00e7kileri aras\u0131nda yer ald\u0131.<\/p>\n

Oirjinal sanat eserlerinden olu\u015fan ve \u00e7a\u011fda\u015f \u00e7izim uygulamalar\u0131 ile \u00f6ne \u00e7\u0131kan \u201cThe Trinity Buoy Wharf Drawing Prize\u201d 1994 y\u0131l\u0131ndan bu yana varl\u0131\u011f\u0131n\u0131 s\u00fcrd\u00fcr\u00fcyor.<\/p>\n

Setenay Alpsoy\u2018un\u00a0\u201cGayrettepe Son Durak\u201d\u00a0adl\u0131 \u00e7al\u0131\u015fmas\u0131, se\u00e7ici kurulunda Birle\u015fik Krall\u0131k’\u0131n ba\u015fkenti Londra\u2019da yer alan ulusal ve uluslararas\u0131 modern sanat eserlerinin sergilendi\u011fi bir m\u00fcze olan Tate Modern\u2019in direkt\u00f6r\u00fc\u00a0Frances Morris, \u0130ngiliz sanat\u00e7\u0131\u00a0Ian McKeever, sanat yazar\u0131 ve k\u00fcrat\u00f6r\u00a0Sophia Yadong Hao\u2018nun yer ald\u0131\u011f\u0131 isimler taraf\u0131ndan listeye dahil edildi. Sanat\u00e7\u0131lar i\u00e7in uluslararas\u0131 platformda \u00f6nemli bir yer tutan ve Eyl\u00fcl 2020\u2019de a\u00e7\u0131lacak olan sergi, Londra’dan ba\u015flayarak 6 ay boyunca gezici olarak \u0130ngiltere\u2019deki sanat severlerle bulu\u015facak.<\/p>

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Yap\u0131tlar\u0131nda \u015fehirdeki mimari yap\u0131lar\u0131 ve ya\u015fam alanlar\u0131n\u0131 betimleyen sanat\u00e7\u0131 Setenay Alpsoy\u2019un Gayrettepe Son Durak isimli karakalem \u00e7al\u0131\u015fmas\u0131 “Gayrettepe Son Durak”, 61\u00d7110 cm ebatlar\u0131nda, ka\u011f\u0131t \u00fczerine kara kalem tekni\u011fi ile bir desen \u00e7al\u0131\u015fmas\u0131d\u0131r. Eserde yetmi\u015fli ve seksenli y\u0131llarda, daha \u00e7ok memurlar ve \u0130stanbul Belediye \u00e7al\u0131\u015fanlar\u0131 i\u00e7in in\u015fa edilen bu b\u00f6lgedeki binalar, bug\u00fcn kentin orta \u00fcst kesiminin ikamet etti\u011fi bir yerle\u015fke olarak duruyor. B\u00f6lgeye yolcu ta\u015f\u0131yan otob\u00fcs hatt\u0131n\u0131n son dura\u011f\u0131n\u0131n bulundu\u011fu ufak meydana bakan bina, tekd\u00fcze mimarisine tezat ya\u015fanm\u0131\u015fl\u0131\u011f\u0131 ile \u00f6ne \u00e7\u0131k\u0131yor.<\/p>\n

\"\"<\/p>\n

Sanat ele\u015ftirmeni Dr. Erhan Karaesmen, Setenay Alpsoy’un 2014 y\u0131l\u0131nda ger\u00e7ekle\u015fen “Kusurlu G\u00fczellik<\/strong>” isimli ki\u015fisel sergisinin katalog metninden sanat\u00e7\u0131 ile ilgili yapt\u0131\u011f\u0131 de\u011ferlendirmeler, Alpsoy’un bug\u00fcnk\u00fc ba\u015far\u0131s\u0131 hakk\u0131nda bize ipu\u00e7lar\u0131 veriyor.<\/p>\n

“Setenay\u2019\u0131n g\u00f6rsel ifadeleri tuvallere ta\u015f\u0131madaki teknik becerisi \u00e7ok gen\u00e7 ya\u015f\u0131na ra\u011fmen gittik\u00e7e geli\u015fiyor ama, bunun yan\u0131 s\u0131ra, bozulan ve \u00e7\u00f6z\u00fc\u015fen bir kentsel dokunun duyarl\u0131 insanlarda ve \u00f6zellikle sanat\u00e7\u0131larda yaratt\u0131\u011f\u0131 s\u0131k\u0131nt\u0131 ve mutsuzlu\u011fun yo\u011fun bir ifadesini resimlerine yans\u0131t\u0131yor. Bu kentsel \u00e7evre bozuklu\u011fu sadece \u00e7ok g\u00fczel bir kentin fiziksel de\u011fer kaybetmesi anlam\u0131na gelmiyor. Bu, ayn\u0131 zamanda, sadece bizim yak\u0131n \u00e7evremiz de\u011fil uluslararas\u0131 \u00f6l\u00e7ekte her t\u00fcrl\u00fc ortamda kendini g\u00f6steren ve \u2018\u2019uygarl\u0131k de\u011ferlerinin\u2019\u2019 gev\u015femesi, \u00e7\u00f6z\u00fc\u015fmesi anlam\u0131na gelen \u00e7ok talihsiz ve sak\u0131ncal\u0131 bir olgunun \u00f6zeti gibidir. Setenay\u2019\u0131n resmetti\u011fi h\u00fcz\u00fcn verici ve bozuk bina kitleleri, onlar\u0131n olu\u015fturdu\u011fu mutsuzluk kayna\u011f\u0131 yeni semtler ve mahalleler, sanat\u00e7\u0131n\u0131n dikkatini \u00f6zellikle y\u00f6neltti\u011fi baz\u0131 bina cephelerinden kendini yo\u011funlukla a\u00e7\u0131\u011fa vuruyor. Setenay\u2019\u0131n ge\u00e7mi\u015f y\u0131llarda beceriyle ve zevkle ger\u00e7ekle\u015ftirdi\u011fi pencere pervazlar\u0131n\u0131n etraf\u0131na sar\u0131lm\u0131\u015f yumu\u015fak ve sevimli nebat dokusu resimlerinden baz\u0131 \u00f6rnekler de sergide yer al\u0131yor. Bunlar, d\u00f6n\u00fc\u015f\u00fcm \/de\u011fi\u015fim \/ yeni T\u00fcrkiye tazelenmesi kar\u0131\u015f\u0131k ve belirsiz kavramlar\u0131n\u0131n g\u00f6rsel d\u00fcnyada yaratt\u0131\u011f\u0131 huzursuzlu\u011fa kar\u015f\u0131 hala baz\u0131 k\u00fc\u00e7\u00fck mutlu detaylar\u0131n mevcut olabilece\u011finin savunuculu\u011funu yap\u0131yor.<\/em><\/p>\n

Setenay Alpsoy, ya\u015fla ve ya\u015fam tecr\u00fcbesiyle olgunla\u015fma etkisinin \u00f6nemli fakt\u00f6r olarak kabul edildi\u011fi resim sanat\u0131nda, h\u0131zla mesafe alarak olgunla\u015f\u0131yor. Ya\u015fam tecr\u00fcbesinin ve k\u00fclt\u00fcrel birikimin hakk\u0131n\u0131 zaman i\u00e7inde daha fazla verece\u011fini g\u00f6steren bir geli\u015fme \u00e7izgisi sergiliyor. Son sergi, bu geli\u015fme \u00e7izgisinin halen ula\u015fm\u0131\u015f bulundu\u011fu g\u00fczel noktay\u0131 g\u00f6zlerimizin \u00f6n\u00fcne getiriyor. (…) “<\/em><\/p>\n

\"\"

Setenay Alpsoy<\/p><\/div>\n

Setenay Alpsoy kimdir?<\/strong><\/p>\n

1983 do\u011fumlu. 2005 y\u0131l\u0131nda Mimar Sinan G\u00fczel Sanatlar \u00dcniversitesi, Resim B\u00f6l\u00fcm\u00fc, Ne\u015f\u2019e Erdok at\u00f6lyesinden mezun olan Setenay Alpsoy, 2009 y\u0131l\u0131nda ayn\u0131 \u00fcniversitenin Sosyal Bilimler Enstit\u00fcs\u00fc, Resim B\u00f6l\u00fcm\u00fc\u2019nde y\u00fcksek lisans\u0131n\u0131 tamamlad\u0131. 2008 y\u0131l\u0131nda a\u00e7t\u0131\u011f\u0131 ilk ki\u015fisel sergisinin ard\u0131ndan \u201cDenizin Ay\u0131rd\u0131\u011f\u0131 \u015eehir\u201d (2010), \u201cG\u00f6r\u00fcnmeyen Kent\u201d (2012), \u201cKusurlu G\u00fczellik\u201d (2014), \u201cDoku\u201d (2016) ve \u201cZiyaret \/ The Visit\u201d (2018) isimli ki\u015fisel sergileriyle Evin Sanat Galerisi\u2019nde sanatseverlerle bulu\u015ftu.<\/p>\n

\"\"<\/a><\/div>","protected":false},"excerpt":{"rendered":"

Setenay Alpsoy\u2018un\u00a0\u201cGayrettepe Son Durak\u201d\u00a0adl\u0131 \u00e7al\u0131\u015fmas\u0131, \u0130ngiltere’nin sanat alan\u0131nda prestijli \u00f6d\u00fcllerinden biri olan \u201cThe Trinity Buoy Wharf Drawing Prize”\u0131n bu y\u0131lki se\u00e7kileri aras\u0131nda yer ald\u0131. Oirjinal sanat eserlerinden olu\u015fan ve \u00e7a\u011fda\u015f \u00e7izim uygulamalar\u0131 ile \u00f6ne \u00e7\u0131kan \u201cThe Trinity Buoy Wharf Drawing Prize\u201d 1994 y\u0131l\u0131ndan bu yana varl\u0131\u011f\u0131n\u0131 s\u00fcrd\u00fcr\u00fcyor. Setenay Alpsoy\u2018un\u00a0\u201cGayrettepe Son Durak\u201d\u00a0adl\u0131 \u00e7al\u0131\u015fmas\u0131, se\u00e7ici kurulunda Birle\u015fik Krall\u0131k’\u0131n ba\u015fkenti Londra\u2019da yer alan ulusal ve uluslararas\u0131 modern sanat eserlerinin sergilendi\u011fi bir m\u00fcze olan Tate Modern\u2019in direkt\u00f6r\u00fc\u00a0Frances Morris, \u0130ngiliz sanat\u00e7\u0131\u00a0Ian McKeever, sanat yazar\u0131 ve k\u00fcrat\u00f6r\u00a0Sophia Yadong Hao\u2018nun yer ald\u0131\u011f\u0131 isimler taraf\u0131ndan listeye dahil edildi. Sanat\u00e7\u0131lar i\u00e7in uluslararas\u0131 platformda \u00f6nemli bir yer tutan ve Eyl\u00fcl […]<\/p>\n","protected":false},"author":1,"featured_media":5180,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[1487],"tags":[1486,1444,1440,1445,1442,1441,1447,1448,1439,1446,1443],"class_list":["post-5179","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-sanat","tag-erhan-karaesme","tag-frances-morris","tag-gayrettepe-son-durak","tag-ian-mckeever","tag-karakalem","tag-resim","tag-sanat","tag-sergi","tag-setenay-alpsoy","tag-sophia-yadong-hao","tag-tate-modern"],"_links":{"self":[{"href":"https:\/\/by-tv.co.uk\/en\/wp-json\/wp\/v2\/posts\/5179","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/by-tv.co.uk\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/by-tv.co.uk\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/by-tv.co.uk\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/by-tv.co.uk\/en\/wp-json\/wp\/v2\/comments?post=5179"}],"version-history":[{"count":0,"href":"https:\/\/by-tv.co.uk\/en\/wp-json\/wp\/v2\/posts\/5179\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/by-tv.co.uk\/en\/wp-json\/wp\/v2\/media\/5180"}],"wp:attachment":[{"href":"https:\/\/by-tv.co.uk\/en\/wp-json\/wp\/v2\/media?parent=5179"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/by-tv.co.uk\/en\/wp-json\/wp\/v2\/categories?post=5179"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/by-tv.co.uk\/en\/wp-json\/wp\/v2\/tags?post=5179"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}