{"id":39853,"date":"2026-08-22T17:12:36","date_gmt":"2026-08-22T16:12:36","guid":{"rendered":"https:\/\/by-tv.co.uk\/?p=39853"},"modified":"2026-08-24T11:14:03","modified_gmt":"2026-08-24T10:14:03","slug":"edinburgh-fringede-farkli-bir-salome-ali-barisikin-yonetiminde-tek-oyuncuyla-bes-karakter","status":"publish","type":"post","link":"https:\/\/by-tv.co.uk\/en\/edinburgh-fringede-farkli-bir-salome-ali-barisikin-yonetiminde-tek-oyuncuyla-dort-karakter\/","title":{"rendered":"Edinburgh Fringe\u2019de farkl\u0131 bir Salome: Ali Bar\u0131\u015f\u0131k\u2019\u0131n y\u00f6netiminde tek oyuncuyla d\u00f6rt karakter"},"content":{"rendered":"

Oscar Wilde\u2019\u0131n <\/span>Salome<\/span><\/i>\u2019si, tiyatro tarihinde defalarca yorumlanan, arzu, g\u00fc\u00e7, inan\u00e7 ve saplant\u0131 aras\u0131ndaki s\u0131n\u0131rlar\u0131 sorgulayan bir metin. Edinburgh Fringe\u2019de sahnelenen <\/strong><\/span>Salome<\/i><\/strong> ise bu tan\u0131d\u0131k hik\u00e2yeye, oyuncu say\u0131s\u0131n\u0131 ve s\u00fcreyi minimuma indirerek farkl\u0131 bir a\u00e7\u0131dan bak\u0131yor.<\/span><\/p>\n

T\u00fcrkiye\u2019den y\u00f6netmen Ali Bar\u0131\u015f\u0131k\u2019\u0131n imzas\u0131n\u0131 ta\u015f\u0131yan yap\u0131mda Naz Yeni, yaln\u0131zca tek bir karakteri de\u011fil, hik\u00e2yedeki d\u00f6rt farkl\u0131 ki\u015fiyi canland\u0131r\u0131yor. Salome, Jokanaan, Young Soldier ve Tetrarch ayn\u0131 oyuncunun bedeninde bulu\u015fuyor.<\/span><\/p>\n

\"\"

Edinburgh
Foto\u011fraf: Ergin Balabeyo\u011flu<\/p><\/div>\n

Bence oyunun en dikkat \u00e7ekici taraf\u0131 da tam olarak burada ba\u015fl\u0131yor.<\/b><\/h4>\n

Yakla\u015f\u0131k 30 dakikal\u0131k s\u00fcrede d\u00f6rt karakteri birbirinden ay\u0131rmak kolay bir tercih de\u011fil. Ancak <\/span>Salome<\/span><\/i>, bunu yaln\u0131zca bir oyunculuk g\u00f6sterisine d\u00f6n\u00fc\u015ft\u00fcrmek yerine, hik\u00e2yenin anlat\u0131m bi\u00e7iminin merkezine yerle\u015ftiriyor. \u00d6zellikle ya\u015fl\u0131 Salome\u2019nin g\u00f6z\u00fcnden ge\u00e7mi\u015fe bak\u0131lmas\u0131, Wilde\u2019\u0131n metnini yeniden d\u00fc\u015f\u00fcnmek i\u00e7in ilgin\u00e7 bir alan a\u00e7\u0131yor.<\/span><\/p>

\"\"<\/a><\/div>\n

Tan\u0131d\u0131k hik\u00e2yeye farkl\u0131 bir bak\u0131\u015f<\/b><\/h3>\n

Salome ve Vaftizci Yuhanna aras\u0131ndaki hik\u00e2yeyi bilmeyen azd\u0131r. Ancak burada mesele yaln\u0131zca ne oldu\u011fu de\u011fil, <\/span>nas\u0131l hat\u0131rland\u0131\u011f\u0131.<\/span><\/p>\n

Bar\u0131\u015f\u0131k\u2019\u0131n y\u00f6netmenlik yakla\u015f\u0131m\u0131nda ge\u00e7mi\u015f ile \u015fimdi aras\u0131nda s\u00fcrekli bir gerilim hissediliyor. Gen\u00e7 Salome\u2019nin arzusu, Jokanaan\u2019\u0131n reddedi\u015fi ve Tetrarch\u2019\u0131n iktidar alan\u0131 ayn\u0131 oyuncunun performans\u0131 \u00fczerinden birbirine ba\u011flan\u0131yor.<\/span><\/p>\n

\"\"<\/p>\n

Bu tercih, oyunu geleneksel bir karakter anlat\u0131s\u0131ndan \u00e7\u0131kar\u0131p daha yo\u011fun ve sembolik bir tiyatro deneyimine yakla\u015ft\u0131r\u0131yor.<\/span><\/p>\n

Benim a\u00e7\u0131mdan yap\u0131m\u0131n en ba\u015far\u0131l\u0131 taraf\u0131, k\u0131sa s\u00fcresine ra\u011fmen hik\u00e2yeyi gere\u011finden fazla a\u00e7\u0131klamaya \u00e7al\u0131\u015fmamas\u0131. <\/span>Salome<\/span><\/i>, seyirciye her \u015feyi anlatmak yerine baz\u0131 bo\u015fluklar\u0131 seyircinin tamamlamas\u0131na izin veriyor.<\/span><\/p>\n

Naz Yeni\u2019nin performans\u0131<\/b><\/h3>\n

Tek oyunculu bir yap\u0131m\u0131n ba\u015far\u0131s\u0131 b\u00fcy\u00fck \u00f6l\u00e7\u00fcde oyuncunun sahne \u00fczerindeki d\u00f6n\u00fc\u015f\u00fcm g\u00fcc\u00fcne ba\u011fl\u0131. Naz Yeni, d\u00f6rt karakter aras\u0131nda ge\u00e7i\u015f yaparken oyunun b\u00fct\u00fcn y\u00fck\u00fcn\u00fc ta\u015f\u0131yor.<\/span><\/p>\n

Burada \u00f6nemli olan yaln\u0131zca farkl\u0131 karakterleri oynamak de\u011fil; seyircinin birka\u00e7 saniye i\u00e7inde kiminle kar\u015f\u0131 kar\u015f\u0131ya oldu\u011funu anlayabilmesini sa\u011flamak.<\/span><\/p>\n

\"\"

Edinburgh Fringe\u2019de farkl\u0131 bir Salome: Ali Bar\u0131\u015f\u0131k\u2019\u0131n y\u00f6netiminde tek oyuncuyla be\u015f karakter<\/p><\/div>\n

Yeni\u2019nin performans\u0131, \u00f6zellikle karakterler aras\u0131ndaki psikolojik ve fiziksel farkl\u0131l\u0131klar\u0131 belirginle\u015ftirdi\u011fi anlarda oyunun ritmini ayakta tutuyor. Bu nedenle <\/span>Salome<\/span><\/i>yi yaln\u0131zca Wilde\u2019\u0131n metninin yeni bir uyarlamas\u0131 olarak de\u011fil, ayn\u0131 zamanda oyunculuk \u00fczerine kurulmu\u015f kompakt bir sahne \u00e7al\u0131\u015fmas\u0131 olarak g\u00f6rmek m\u00fcmk\u00fcn.<\/span><\/p>\n

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\n
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Naz Yeni, oyunculuk e\u011fitimini T\u00fcrkiye\u2019de Ankara Devlet Konservatuvar\u0131 ve \u0130ngiltere\u2019de Birmingham School of Speech and Drama\u2019da tamamlad\u0131. 30 y\u0131l\u0131 a\u015fk\u0131n s\u00fcredir tiyatro ve performans alan\u0131nda oyuncu ve y\u00f6netmen olarak \u00e7al\u0131\u015fmalar\u0131n\u0131 s\u00fcrd\u00fcren Yeni<\/strong>, oyunculuk kariyerinde City of Birmingham Touring Opera\u2019da g\u00f6rev al\u0131rken, y\u00f6netmenlik deneyimleri aras\u0131nda Ankara Devlet Tiyatrosu da bulunuyor. Yeni, \u00e7al\u0131\u015fmalar\u0131n\u0131 halen Anglia Ruskin University\u2019de akademisyen ve ara\u015ft\u0131rmac\u0131 olarak<\/strong> s\u00fcrd\u00fcr\u00fcyor.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

Ali <\/b>Bar\u0131\u015f\u0131k\u2019\u0131n tiyatro yakla\u015f\u0131m\u0131<\/b><\/h3>\n

Ali Bar\u0131\u015f\u0131k\u2019\u0131n tiyatro kariyerine bak\u0131ld\u0131\u011f\u0131nda <\/span>Salome<\/span><\/i>nin arkas\u0131ndaki yakla\u015f\u0131m daha anlaml\u0131 hale geliyor.<\/span><\/p>\n

Mimar Sinan G\u00fczel Sanatlar \u00dcniversitesi \u0130stanbul Devlet Konservatuvar\u0131 Tiyatro B\u00f6l\u00fcm\u00fc\u2019nde oyunculuk, rol analizi ve y\u00f6netmenlik dersleri veren Bar\u0131\u015f\u0131k, T\u00fcrkiye Devlet Tiyatrolar\u0131 i\u00e7in <\/span>Hamlet<\/span><\/i>, <\/span>Richard III<\/span><\/i> ve <\/span>Much Ado About Nothing<\/span><\/i> gibi Shakespeare oyunlar\u0131n\u0131 da y\u00f6netiyor.<\/span><\/p>\n

\"\"

Do\u00e7ent Ali Bar\u0131\u015f\u0131k<\/p><\/div>\n

Birle\u015fik Krall\u0131k ile profesyonel ba\u011flant\u0131s\u0131 ise \u00f6\u011frencilik y\u0131llar\u0131na kadar uzan\u0131yor. Royal Shakespeare Company\u2019nin Work Experience program\u0131na kabul edilen Bar\u0131\u015f\u0131k, daha sonra BBC Radio 3 ve RSC ortak yap\u0131m\u0131 <\/span>Regime Change<\/span><\/i>de oyuncu olarak yer ald\u0131.<\/span><\/p>\n

Bu ge\u00e7mi\u015fin <\/span>Salome<\/span><\/i>ye do\u011frudan nas\u0131l yans\u0131d\u0131\u011f\u0131n\u0131 s\u00f6ylemek zor olsa da, Bar\u0131\u015f\u0131k\u2019\u0131n klasik metinlerle kurdu\u011fu uzun s\u00fcreli ili\u015fkinin bu yap\u0131mda hissedildi\u011fini d\u00fc\u015f\u00fcn\u00fcyorum.<\/span><\/p>\n

Salome<\/span><\/i>, b\u00fcy\u00fck prod\u00fcksiyonlar\u0131n ya da kalabal\u0131k oyuncu kadrolar\u0131n\u0131n yerine <\/span>oyunculuk, anlat\u0131m bi\u00e7imi ve atmosferi<\/b> \u00f6ne \u00e7\u0131karan bir \u00e7al\u0131\u015fma.<\/span><\/p>\n

Yakla\u015f\u0131k yar\u0131m saatlik s\u00fcresinin de etkisiyle oyun, Wilde\u2019\u0131n yo\u011fun metnini s\u0131k\u0131\u015ft\u0131r\u0131lm\u0131\u015f ve daha do\u011frudan bir deneyime d\u00f6n\u00fc\u015ft\u00fcr\u00fcyor. D\u00f6rt karakterin tek oyuncuda birle\u015fmesi ise yap\u0131m\u0131n en belirgin yarat\u0131c\u0131 tercihi olarak \u00f6ne \u00e7\u0131k\u0131yor.<\/span><\/p>\n

Benim i\u00e7in <\/span>Salome<\/span><\/i>nin as\u0131l de\u011feri, herkesin bildi\u011fi bir hik\u00e2yeyi yeniden anlatmas\u0131ndan \u00e7ok, seyirciyi bu hik\u00e2yeye <\/span>kimin g\u00f6z\u00fcnden bakt\u0131\u011f\u0131m\u0131z\u0131 sorgulamaya<\/b> itmesi.<\/span><\/p>\n

Edinburgh Fringe gibi binlerce farkl\u0131 i\u015fin ayn\u0131 anda seyirciyle bulu\u015ftu\u011fu bir ortamda, yar\u0131m saat i\u00e7inde kendi anlat\u0131m dilini kurabilen ve klasik bir metne farkl\u0131 bir bak\u0131\u015f getirebilen bu t\u00fcr \u00e7al\u0131\u015fmalar\u0131n ayr\u0131ca de\u011ferli oldu\u011funu d\u00fc\u015f\u00fcn\u00fcyorum.<\/span><\/p>\n

Salome<\/span><\/i>, b\u00fcy\u00fck iddialar yerine k\u00fc\u00e7\u00fck bir sahne \u00fczerinde yo\u011funla\u015fmay\u0131 se\u00e7iyor. Ve bazen tiyatroda etkili olan da tam olarak bu oluyor.<\/span><\/p>\n

Makale: Ergin Balabeyo\u011flu<\/em><\/strong><\/p>\n

 <\/span><\/p>\n

\"\"<\/a><\/div>","protected":false},"excerpt":{"rendered":"

Oscar Wilde\u2019\u0131n Salome\u2019si, tiyatro tarihinde defalarca yorumlanan, arzu, g\u00fc\u00e7, inan\u00e7 ve saplant\u0131 aras\u0131ndaki s\u0131n\u0131rlar\u0131 sorgulayan bir metin. Edinburgh Fringe\u2019de sahnelenen Salome ise bu tan\u0131d\u0131k hik\u00e2yeye, oyuncu say\u0131s\u0131n\u0131 ve s\u00fcreyi minimuma indirerek farkl\u0131 bir a\u00e7\u0131dan bak\u0131yor. T\u00fcrkiye\u2019den y\u00f6netmen Ali Bar\u0131\u015f\u0131k\u2019\u0131n imzas\u0131n\u0131 ta\u015f\u0131yan yap\u0131mda Naz Yeni, yaln\u0131zca tek bir karakteri de\u011fil, hik\u00e2yedeki d\u00f6rt farkl\u0131 ki\u015fiyi canland\u0131r\u0131yor. Salome, Jokanaan, Young Soldier ve Tetrarch ayn\u0131 oyuncunun bedeninde bulu\u015fuyor. Bence oyunun en dikkat \u00e7ekici taraf\u0131 da tam olarak burada ba\u015fl\u0131yor. Yakla\u015f\u0131k 30 dakikal\u0131k s\u00fcrede d\u00f6rt karakteri birbirinden ay\u0131rmak kolay bir tercih de\u011fil. Ancak Salome, bunu yaln\u0131zca bir oyunculuk g\u00f6sterisine d\u00f6n\u00fc\u015ft\u00fcrmek yerine, hik\u00e2yenin anlat\u0131m bi\u00e7iminin merkezine […]<\/p>\n","protected":false},"author":11,"featured_media":39860,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[5269],"tags":[],"class_list":["post-39853","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-birlesik-krallik"],"_links":{"self":[{"href":"https:\/\/by-tv.co.uk\/en\/wp-json\/wp\/v2\/posts\/39853","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/by-tv.co.uk\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/by-tv.co.uk\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/by-tv.co.uk\/en\/wp-json\/wp\/v2\/users\/11"}],"replies":[{"embeddable":true,"href":"https:\/\/by-tv.co.uk\/en\/wp-json\/wp\/v2\/comments?post=39853"}],"version-history":[{"count":6,"href":"https:\/\/by-tv.co.uk\/en\/wp-json\/wp\/v2\/posts\/39853\/revisions"}],"predecessor-version":[{"id":39871,"href":"https:\/\/by-tv.co.uk\/en\/wp-json\/wp\/v2\/posts\/39853\/revisions\/39871"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/by-tv.co.uk\/en\/wp-json\/wp\/v2\/media\/39860"}],"wp:attachment":[{"href":"https:\/\/by-tv.co.uk\/en\/wp-json\/wp\/v2\/media?parent=39853"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/by-tv.co.uk\/en\/wp-json\/wp\/v2\/categories?post=39853"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/by-tv.co.uk\/en\/wp-json\/wp\/v2\/tags?post=39853"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}